Is Beyond the Rocks (1922) public domain?
Pre-1972 sound recordings can be protected under US state law and the Music Modernization Act until 2067 or later — the print being public domain does not free the recorded music.
📄 Download the print-layer research packet (Markdown) — citations you can attach to a dispute. Not legal advice; print layer only.
Rights, layer by layer
A film is not one copyright — it is several. Each layer below can be free or protected independently. This is why one-click “public domain” answers are wrong so often.
| Film print (photoplay) | Clear |
|
|---|---|---|
| Music score | Active rights |
|
| Underlying story / screenplay | Clear |
|
| Character trademarks | Unclear | No primary evidence on file — treated as unverified. |
| Restorations / re-releases | Active rights |
|
Automatic rule notes
- Published 1922: US copyright term (95 years) has expired for works published through 1930 — the film print is public domain in the US by term expiry, regardless of country of origin.
Watch it free (archival copies)
Background
Beyond the Rocks is a 1922 Famous Players–Lasky romantic drama directed by Sam Wood, starring Gloria Swanson and Rudolph Valentino in the only film they made together. It was adapted by screenwriter Jack Cunningham from Elinor Glyn's 1906 Edwardian society novel of the same name. Paramount had no surviving print after 1922; the film was assumed entirely lost until staff at the Nederlands Filmmuseum discovered nitrate reels in 2000 during an inventory of a collector's estate, then spent three years locating all surviving reels before completing the restoration in 2005 with Haghefilm Conservation. The restored film premiered at Cannes that year, with a new score by Dutch musician Henny Vrienten. For a creator, the 1922 silent print is in the public domain in the United States: as a domestic theatrical release from that year, its copyright expired by the statutory ceiling regardless of renewal, and the film's 75-year commercial absence makes a 1949–1950 renewal filing effectively inconceivable. The silent images — star performances, Sam Wood's direction, Alfred Gilks's cinematography — can be freely used, remixed, or redistributed.
The single practical trap is the restoration layer. Every commercially available copy — the Milestone Film & Video DVD (2006), the EYE Film Player stream, any modern theatrical print — is the 2005 EYE Filmmuseum restoration, which is separately protected by copyright vesting in EYE. That restoration also embeds Henny Vrienten's score, itself a protected 21st-century composition whose rights now belong to Vrienten's estate. Creators who need a clean public-domain copy should start from the silent excerpt on Internet Archive (identifier: silent-beyond-the-rocks), supply their own accompaniment, and avoid sourcing frames or audio from any Milestone-licensed edition.
Common questions
Can I freely use footage from Beyond the Rocks in my film or video?
The underlying 1922 print is in the public domain in the United States, so the footage itself requires no licence. The catch is sourcing: the only complete surviving version is EYE Filmmuseum's 2005 restoration, which carries its own copyright, and its score by Henny Vrienten is also protected. A partial silent excerpt is available on Internet Archive (archive.org/details/silent-beyond-the-rocks) and is freely usable, but runs only about 23 minutes of the full film. Using material from the Milestone DVD or EYE Film Player without a licence from Milestone/EYE would infringe the restoration copyright even though the underlying film is free.
Is the Elinor Glyn novel the film is based on also in the public domain?
Yes. Glyn's 1906 novel 'Beyond the Rocks: A Love Story' is in the public domain in the United States; its copyright expired decades ago. Project Gutenberg hosts it without restriction as ebook #16692. The novel can be freely quoted, republished, or adapted independently of the film.