Is Faust (1926) public domain?
Pre-1972 sound recordings can be protected under US state law and the Music Modernization Act until 2067 or later — the print being public domain does not free the recorded music.
📄 Download the print-layer research packet (Markdown) — citations you can attach to a dispute. Not legal advice; print layer only.
Rights, layer by layer
A film is not one copyright — it is several. Each layer below can be free or protected independently. This is why one-click “public domain” answers are wrong so often.
| Film print (photoplay) | Clear |
|
|---|---|---|
| Music score | Active rights |
|
| Underlying story / screenplay | Clear |
|
| Character trademarks | Unclear |
|
| Restorations / re-releases | Active rights |
|
Automatic rule notes
- Published 1926: US copyright term (95 years) has expired for works published through 1930 — the film print is public domain in the US by term expiry, regardless of country of origin.
Watch it free (archival copies)
Background
F.W. Murnau's Faust (1926) was the most expensive film UFA had made up to then: a German Expressionist epic with Emil Jannings as a leering, cape-spreading Mephisto, Gösta Ekman as the aging scholar Faust, and Camilla Horn as Gretchen. Shot at UFA's Neubabelsberg studios and released in Germany on October 14, 1926, it was the last film Murnau completed before departing for Hollywood. The aerial shot of Mephisto's cloak blotting out an entire village — achieved through model work and double exposure — directly inspired the "Night on Bald Mountain" sequence in Disney's Fantasia (1940). The photographic print entered the US public domain on January 1, 2022, ninety-five years from its 1926 publication, as confirmed by Duke CSPD's Public Domain Day 2022 listing.
The dominant rights trap is the restoration layer. The copy most creators will meet — on Kino Lorber's 2015 Blu-ray, on streaming services and on many archive uploads — is the F. W. Murnau Foundation's restoration, and it comes with modern recorded scores (a piano score by Javier Pérez de Azpeitia, an ensemble score by the Mont Alto Motion Picture Orchestra, and Timothy Brock's 1995 orchestral score on the US version). Those recordings are protected, and the restored version should be treated as protected too. To stay inside public-domain material, use a copy that traces back to an older, unrestored print and add your own audio. Goethe's text (1808/1832) and Hans Kyser's 1926 screenplay are long out of copyright, so new adaptations of the story carry no story-layer risk.
Common questions
Can I use footage from Faust (1926) without a license?
The original 1926 film images are US public domain. The catch is which copy you use: the Murnau Foundation's restoration — the version on most Blu-rays, streaming platforms, and many archive uploads — carries its own copyright and protected recorded scores. To use footage freely, trace your copy to a pre-restoration print from an institutional archive, not from a commercial release or a community upload whose provenance is unclear.
Does Goethe's Faust being public domain mean I'm free to adapt the story?
Yes — the underlying legend and Goethe's 1808/1832 text are both long public domain, so writing a new Faust story or screenplay carries no story-rights obstacle. The 1926 Murnau film is also now public domain in the US, so you can draw on its specific visual approach and screenplay as well. The limits are the restoration print (not free) and any newly composed score on a modern copy (not free).